These paintings begin with a gesture that is also a mechanism: a Nerf gun loaded with gold acrylic, fired across the surface.
The gold does not land where it is directed — it disperses, fragments, catches.
What accumulates is a field of broken light across the canvas, unpredictable in distribution but consistent in effect.
The ground beneath absorbs or resists. The result is a surface held in tension between accident and intent.
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- Gold Sprinkles, 60×80
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- Untitled, 60×80
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- Gilded Tide, 100×140
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- Purple Night, 160×140
